ReMix: Kingdom Hearts II 'Duet of the Keyblade Masters'
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- Game: Kingdom Hearts II (Square, 2005, PS2)
- ReMixer(s): Uboichi
- Composer(s): Yoko Shimomura
- Song(s): Darkness of the Unknown
- Posted: 2008-08-23, evaluated by the judges
Uboichi, real name Uub Jacobson, showed up with a pretty memorable first mix of Killer Instinct back in December of 2004, and now (finallly!) returns with a follow-up. His debut piece was memorable not just for being a quality solo piano arrangement, but for the unusual decision to do a solo piano mix specifically of Killer Instinct, which conjures a more aggressive genre for me at least. He made it work, though, and follows it up with a mix from the immensely popular Kingdom Hearts 2, our first from the sequel, which is also a solo piano arrangement. Uub explains why this one took awhile to reach completion:
"I haven't got a clue what gotten into me when I decided to arrange this piece for 2 pianos. Not because it's a crazy idea ('cause it isn't), but more because I started with this arrangement about 8 months ago. It's so long ago that I simply don't remember why I started it. When I first got close to finishing this piece my computer broke down. It was horrible, I couldn't make music on my PC anymore! So I saved some money every month for a few months so I could buy myself a brand new PC. But that saving took me so long that I didn't have my PC untill last week. So if anyone remembers this being on the WIP forum, this is why it took me so long to finish it."
This is why I've got 6 machines, with two set up for music production. Of course, that's the result of hoarding components for over ten years and spending more money than I should have, but I've certainly been there before myself on losing data... I remember back when I was using an Alesis DataDisk to store MIDI files onto floppy disks, and suffered more than a couple total losses due to power failures and corrupt sectors. I feel old. At any rate, be glad Uub saved enough to get another box, as this is an emotive, elaborate solo piano piece that KH fans and solo piano fans alike should get into. At just over six minutes, there's a lot of material here, with tons of runs, arpeggios, interlacing, interlocking patterns, chromaticism, and powerful dynamics. Mr. Jacobson definitely makes use of the two pianos, too; in most every passage you can tell that there's enough going that a single pair of hands probably wouldn't be enough, with fortissimo power chords simultaneously resounding over quick rise-and-fall runs. Vinnie writes:
"This takes the basic figures of the original and turns them into something much more intricate, using them in a variety of different ways. The interplay is excellent. My favorite moment is at 1:00, which has the pianos trying to outdo each other. When I hear it, I imagine a battle scene in a play, where swordfighters are taking turns dashing at each other. Suffice to say, the piano playing/arranging in this is great."
Shariq adds:
"Ah, don't you just love Yoko Shimomura? ¦]
The tone overall is a little dark on the pianos, which I personally prefer, but like Vinnie said, a little more contrast between the dueling pianos would have helped, especially in terms of definition. Some of the articulations get lost. Overall though, great piece. Very dynamic and epic. The pianos mesh very well. Nice job."
Six minutes of piano duet is quite the mouthful, but Uub gives us an arrangement that keeps progressing and both develops and resolves naturally. It's great to see him back in action after almost four years, great to see his technical difficulties addressed so he could finish this rather epic mix, and great to see him deliver on the promise of his debut piece with another excellent solo piano piece - this time with double the ivory.
Discussion: Latest 15 comments/reviews; view the But I still like it.
- Thin Crust on April 1, 2009
So in the end are you not going to release sheet music since we havn't had any news. While I have transcribed the piece for my own benefits I feel it would be better to play from the original since transcriptions by ear are not accurate...especially with this piece haha so umm...yeah.
- leekaiwei on April 1, 2009
- Ryu2Wolf on January 6, 2009
- Lucentas on December 6, 2008
- Nishay on October 9, 2008
Besides being a remixer I'm also a University Student, and my study takes up a lot of my time. So please stop asking for the sheet music, I don't have time for it right now. I'll see if I can make them when the Christmas Holidays are here. Till then you guys will have to do with listening to it.
Uboichi.
- Uboichi2 on September 27, 2008
- Kooj on September 16, 2008
However, I agree with what was said in the write-up; the pianos sound a little too similar. Making them sound more differentiated would have added to the "battle" feeling of this song.
Nice work.
- Martin Penwald on September 11, 2008
- Unmei on September 3, 2008
I love the modulations you throw in there, and the ebb and flow of this, it really breathes well. There are some really nice complex tone colors in there, and some of the riffs are completely badass.
I'd have preferred the sound to be a little closer, but this works well enough for me. Things get a little muddled on speakers, but on headphones the panning makes it work.
Cool stuff, this is aptly named. :-)
- OA on August 29, 2008
- Antelucan on August 29, 2008
Tempo also keeps static. Although that contributes to the piece having sort of a forward momentum throughout, some sort of an interlude with a different tempo (slowing down for a moment) might have actually highlighted that momentum. In any case, overall, I like the piece very much, and it's a keeper.
--Eino
- evktalo on August 25, 2008
I can definitely tell it was done by Shimomura without hearing the source, and you captured the epic magnitude of her work.
- Clumsy. on August 24, 2008
- Tatsumiya on August 23, 2008
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