ReMix: Grandia II 'A Deus ex Harpa (Second Seal Mix)'
- Game: Grandia II (Game Arts, 2000, DC)
- ReMixer(s): DarkeSword
- Composer(s): Noriyuki Iwadare
- Song(s): A Deus
- Posted: 2006-03-14, evaluated by djpretzel
Darkesword brings us our first Grandia 2 ReMix, arranging a piece by one of my personal favorite composers, Noriyuki Iwadare. Often overshadowed (unfairly) by Squaresoft guys, Iwadare's done a large percentage of the great non-Square/Enix RPG soundtracks out there, in my estimation, and I especially dug his work on the original Sega CD Lunar soundtrack. The Grandia OSTs are not to be missed either, however, and this track really illustrates the depth of material that's out there beyond Sqeenixville. The first version of this mix that was sent in had some minor pops (which were actually part of the oboe sample being used and not a recording faux pas), and I pressed Shariq to fix them quickly and resub, which he did. It was nothing major, and required good phones to spot, but I'm really glad he addressed it, because this is one of his best ReMixes to date, fantastically mellow, and deserves as pristine a rendition as possible to achieve its full, transporting effect. The ReMixer writes:
"This is an update to an old Grandia II mix I did, called "A Deus ex Harpa," which is available on my website (http://www.darkesword.com/). It's an arrangement of "A Deus," a beautiful vocal song that Elena, the priestess character, sings. The old version of my arrangement was pretty basic, and muddy as well, so after a year or two I started working on this new version, called "A Deus ex Harpa (Second Seal Mix)." I've added a lot of instruments, tweaked the parts, and expanded the arrangement to include a faster section with a key change."
There's nothing muddy about this 'Second Seal' incarnation; introing with a beautiful moving harp pattern that stays present for most of the mix and an elegantly minimal accompanying piano, the bassoon and cello solos that enter briefly are harbingers to the longer oboe solo that's brought in at 0'49". At 1'17" the percussion gets layered up a notch, with a nice groove kicking in on top of the previous, semi-industrial pattern. There's an undulating, flowing oboe solo with drum drop-out circa 1'45", then... ahh, well, no point doing the rest of the Madden play-by-play. Suffice it to say, Shariq keeps things interesting throughout, the source material is RIGHT up his alley, and the end result is a great chillout mix with brains to boot. I really think this is one of those instances where the source material and ReMixer paired up perfectly - the flowing, Kikuta-esque harp patterns combined with strong melodic elements jive quite effectively with Darkesword's style. Someone needed to cover this superb piece, and Mr. Ansari was perfect for the job.
This is probably the best DS mix i've heard. Awesome stuff.
- OA on April 3, 2009
Atmuh;116060 wrote: Never played the game but I really like the mix.
What she said.
- DramaNoMore on September 22, 2008
Thank you Shariq
- violent_ken on December 26, 2007
- Phoenix Down on August 3, 2006
MrBogus wrote: Only the section at 3:34 with the cymbals (?) hits me as slightly overbearing.
Yeah I thought the same thing. I think that section would be a lot more powerful emotionally if it didn't try to beat people over the head with it.
Otherwise I thought it was pretty cool. Loved the drums.
- Radiowar on July 28, 2006
I like this. Not just because it's pleasing to the ear, which it is. But also because it accomplishes something that, in my mind, many melodious songs fail to do -- not be campy. When you start with a source tune like A Deus, you typically run into two types of dangers:
1) making something already laid back even more laid back and thus boring, or
2) try to add elements to spice things up and end up going overboard with the bright instrumentation and harmonies
For some people this is fine and I'm not knocking it. But for me there has to be a delicate balance. And this song does exactly that. A beautiful rendition of the source tune using angelic instrumentation choice and chords, underpinned by a subtle drumline that ebbs and flows with the melody. Only the section at 3:34 with the cymbals (?) hits me as slightly overbearing.
Great stuff, great job by DS.
- MrBogus on July 28, 2006
I play this song whenever I feel like I need to relax or just chill out. Sadly, the shuffle on my player doesn't bring it up as often as I'd like.
- Katsurugi on June 15, 2006
this is definitely going into my favorites folder. i look forward to your future work. :)
-bgc
- big giant circles on May 25, 2006
- Hadyn on April 3, 2006
Another totally awesome piece from DarkeSword. I am as unsurprised as I am pleased, which is to say a hefty helping of both.
Thanks for the change in the middle... I was just thinking the track was beginning to go stale, and the change came in with excellent timing.
- Fusilliban on March 23, 2006
I loved it, but I noticed some minor clickings.
Djp asked DarkeSword to fix them and now this piece is going to be one of my favorites.
Nice, nice, nice work! :)
- Nineko on March 20, 2006
- DragonsTear on March 18, 2006
- Azure Prower on March 18, 2006
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